Jim [redacted] (
searchingfordistraction) wrote2012-01-16 12:30 am
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Entry tags:
S2 finale spoilers in-thread
The key to Jim's room in Milliways seems to have disappeared.
Curious, that.
[OOC: Warnings for drug addiction and abuse, consent issues, and talk of suicide.]
Curious, that.
[OOC: Warnings for drug addiction and abuse, consent issues, and talk of suicide.]
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For a moment, he sounds like he's going to say something in protest, but he completely forgets about it the moment Jim starts messing with his hair.
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"Aren't you manageable."
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But he'll settle for this. For now.
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He sounds indulgent again, like Sherlock is a pet whose antics are permitted for the amusement they provide.
Which, really, isn't too far off the mark.
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He gets as far as the table next to the bed and opens the drawer to go digging through it.
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There's nothing of importance in this room that he doesn't keep in the safe, which is future tech shielded by alien tech, both from wildly disparate universes and thus vastly unlikely to be cracked by a coked-up Sherlock Holmes. He just watches Sherlock, offering no objection.
Sherlock will probably find the non-existent contents of the nightstand somewhat disappointing.
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"Ow," he says distantly.
Whatever it was, he's forgotten about it immediately as he gets up to go poking through the rest of the room.
Whatever he does find winds up on the floor only a few moments later.
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Jim rolls his eyes.
"What would you do if I'd set traps for people who decided to go through my things?"
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"Did you?" asks Sherlock.
He doesn't stop digging through drawers.
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(No. The only way anyone other than him gets into this room is by stealing his key, and that doesn't happen without his implicit permission.)
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Everything means no today, it seems.
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Eventually: "Who did my adaptation?"
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"Which, on the surface of it, makes it seem like their version would suck. The guys behind Doctor Who and the League of Gentlemen doing a modernised Sherlock Holmes? Ugh, I know. But it surprised everyone. One of the most faithful adaptations, despite being updated by more than a century."
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Sure, he could just hunt down the DVDs, but again: easy is boring.
"They've certainly improved on the writing and overall narrative," he remarks, "though I may be a bit biased."
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He upends the entire contents of one drawer. The whole thing is boring.
"At least in the BBC version, the limp is psychosomatic, and the physical injury is in his shoulder."
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"I especially liked my brother James," he says. "I never thought I'd say this, but really, my parents weren't quite that useless."
Honestly.
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"Asylum, on the other hand, I don't actually know. It's difficult to finish when the telly suddenly breaks."
He threw a shoe at it. Around the part Lestrade found Watson in the shed.
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Bar is less than forthcoming with Holmesian information where Jim is concerned.
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"At least with Moffat, Moriarty was right there in a Study in Scarlet. Or, what they called a Study in Pink, although we don't get to see him until the Great Game. And then he's in it through Reichenbach."
It's not often Sherlock's allowed to properly geek out like this. He seems to be enjoying it.
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"Is he now?"
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He seems to find this hilarious.
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Sherlock is getting closer to the safe, which will impart a painful jolt to anyone other than Jim who tries to touch it.
Jim decides not to mention this.
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"He just..." He mimes Jim's suicide, complete with sound effects.
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He leaves the question open-ended. Why is it funny? Why is it cowardly? Why does he do it?
All of the above, or maybe something else altogether.
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He finds the safe, and tries to play it cool when he gets zapped. He sort of... fails.
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