Jim [redacted] (
searchingfordistraction) wrote2012-03-13 08:59 pm
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in Milliways
Rich Brook enjoys filming for The Storyteller. He honestly does. It may not be the role of a lifetime, but he could do worse than to spend the day reading fairy tales to kids.
He's always liked fairy tales.
Still, when Milliways pops up during a break in filming, he doesn't turn it down. He glances back over his shoulder first; then, when no one else seems to see anything amiss, he goes in.
At the Bar, he asks for a club soda with lime. He could have something stronger if he liked - with time stopped at home, no one would be the wiser - but it seems wrong for the Storyteller to drink while he's technically on duty.
[OOC: For clarity, Jim is in character as Rich, and will be making a much stronger effort to remain in character than he usually does in Milliways. And yes, he really is coming in from filming. DVDs don't make themselves.]
He's always liked fairy tales.
Still, when Milliways pops up during a break in filming, he doesn't turn it down. He glances back over his shoulder first; then, when no one else seems to see anything amiss, he goes in.
At the Bar, he asks for a club soda with lime. He could have something stronger if he liked - with time stopped at home, no one would be the wiser - but it seems wrong for the Storyteller to drink while he's technically on duty.
[OOC: For clarity, Jim is in character as Rich, and will be making a much stronger effort to remain in character than he usually does in Milliways. And yes, he really is coming in from filming. DVDs don't make themselves.]
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Probably not. But he's not just playing Rich for fun, or to disguise himself from patrons who are devoted Holmesians, so he's going to make the effort anyway.)
Rich sips his drink, looking around in the casual manner of someone doing a little peoplewatching.
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He glances toward her. Looks away awkwardly when they make eye contact. Glances toward her again.
". . . Can I help you?" he asks cautiously.
(He doesn't have enough information about her interactions with the other Rich Brook to even try to pretend to be him, so he's not going to bother. It would be self-defeating.)
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The name could be said to belong to him, at least at the moment, regardless of the fact that he so very obviously does not belong to it.
(If she hadn't met this Jim beforehand, she might not have caught it. But whatever you put on top of a person to make them into someone else, the person underneath is still the same. Richard Brook does not have precisely that complement of scars.)
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Maybe she's from his world and she's seen some of his work? That's what the staring would mean back home, especially if she'd needed a few seconds to work out why he looked familiar. But how likely is it in Milliways? Rich has never met someone from his world here, at least not as far as he can tell.
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There's a brief pause.
". . . wait, a what?"
Did she say Jim?
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"That's odd," he says, "that's the name of a character I'm playing."
Which not many people even know yet. It's too early. The crown jewel "theft" - organized with full permissions, of course - won't be for a few months yet.
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"So he's actually real? Like an actual person? And he looks like me?"
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"Every time I start thinking I might have got used to this place."
He's beginning to understand why the unofficial motto among patrons seems to be fucking Milliways.
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"Yes," she agrees.
"Oh, sorry—I'm Sherlock, by the way. Sherlock Stark."
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His expression says as much for a couple seconds before he catches himself and smooths it over.
"Good to meet you," he offers.
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Director, playwright, and costar all wrapped up in one odd and slightly unnerving package.
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"What's he like?"
He knows very well what the character he plays is like. He's definitely not someone Rich would ever want to meet.
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He sips his drink.
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". . . no offense."
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