Jim [redacted] (
searchingfordistraction) wrote2012-04-04 06:19 pm
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Entry tags:
moving day
". . . you want me to what?"
"I know you heard me."
"I think," Moran said, "it's time we discuss my next pay rise."
Jim rolled his eyes. "This isn't a job, Seb, it's a favor. You're free to say no."
Moran eyed him for a moment. Then he pulled out his mobile.
Long story short, here he is now, in a fake flat, with fake possessions in need of fake removal to another fake flat, with Jim all kitted up as Rich Brook on the sofa next to him, waiting for the doorbell to announce the arrival of a man who decided Icarus Removals was the kind of name that would inspire confidence in potential customers.
Jim fucking owes him.
"I know you heard me."
"I think," Moran said, "it's time we discuss my next pay rise."
Jim rolled his eyes. "This isn't a job, Seb, it's a favor. You're free to say no."
Moran eyed him for a moment. Then he pulled out his mobile.
Long story short, here he is now, in a fake flat, with fake possessions in need of fake removal to another fake flat, with Jim all kitted up as Rich Brook on the sofa next to him, waiting for the doorbell to announce the arrival of a man who decided Icarus Removals was the kind of name that would inspire confidence in potential customers.
Jim fucking owes him.
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"The flat's on the ground floor, at least," he says weakly. That should make up for the time they're losing while he fails at keys.
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He has no idea which boxes go where. They didn't label them, except for the one with the Russian on it, but Martin can sort of remember the order in which they were loaded into the van.
He's pretty sure these are bedroom boxes.
Maybe.
"Are you guys flatting, or are you just helping out?" he asks when he comes back out, ready to grab another stack from the van.
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"I'm just helping," Rich says. He pauses at the building's door, looking for a way to prop it open. It's a decent neighborhood, no reason not to.
"He helped me when I moved, fair's fair."
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"Why didn't you use the same removalists?" he asks. "Didn't they work out?"
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"Oh, you know how it goes. This sort of job is always just temporary until something better comes along."
Richard, meet Douglas, the smug git leaning against the side of the van.
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(There's a sharp flicker of instant dislike in his eyes as he does so, but it disappears a second later.)
"Good to have anything steady in this economy," he remarks. He would know; he is, after all, a woefully under-employed actor.
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What he actually says (to Douglas), as he moves past him to get more boxes is, "Have you come to help?"
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"No, it is my day off. I don't think I will."
(Martin doesn't say anything, but he does make it very clear that he wishes Douglas would spend his day off somewhere very far away. Like maybe Mars.)
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(He needs the extra few seconds, too, to make sure he stays Rich.
Jim doesn't respond to people like Douglas very well. Just ask Carl Powers.
Oh, wait. You can't.)
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"What are you even doing in London anyway?" he asks.
(Douglas only shrugs. "What are you doing in London?" he asks.)
Managing to get the trolley on the other side of Douglas, Martin sighs deeply. "Rich, this is Douglas. The one I was telling you about the other day. Douglas, this is Rich."
("Charmed," says Douglas, though he doesn't sound it. He does have that look that people get when they think they might recognise someone, though.)
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When in doubt, pretend nothing is wrong until the doubt is eliminated. Or you find a way to deal with it.
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"And he was just leaving."
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"Oh, was I? I never said that. I just said I wasn't going to help."
He follows Martin inside, despite Martin's protests that he get out, now! and finds a wall to lean against.
"Do I know you from somewhere?" he asks Rich eventually.
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Another item to add to the list of Douglas's talents: the ability to make an actor decline an opportunity to be recognized.
But because Rich is an actor, there's no indication of tension to go along with his reply. His tone is casual, his body language flat and neutral. He seems to see nothing odd whatsoever about the situation.
He is not giving Douglas a thing to work with if he can possibly help it.
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"Are you sure?" he asks. "You look an awful lot like someone I saw on the telly, reading some nonsense or other to a bunch of four-year-olds. Not that I'd admit to doing that, either. I can't imagine it gets you much luck in the bedroom department."
(Somewhere in the middle of all of this, Martin left to go fetch more boxes, telling Rich not to let Douglas touch anything, and in a tone that suggests Douglas touching something means that something will disappear.)
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"Do I?" he asks idly.
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"Mmm, must have been my mistake," he says.
He's onto you, Rich. He might not know the full extent of what's going on, but he knows when he's being played.
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He makes a thoughtful sound.
"Douglas Richardson, was it?"
No doubt he won't need to remind Douglas that Martin never mentioned his last name.
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"That rather depends," he says.
He doesn't ask the clichéd bit of that, partially because Martin comes back with another load of boxes to put away, and partially because he's never been terribly fond of clichés.
(Martin seems to be ignoring them in favour of being angry with the entire situation, and goes right back outside as soon as he's put the boxes down.)
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He keeps it after Martin's gone again.
"On?" he asks, voice rich with amusement.
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He has the advantage in size and he knows it, but he doesn't go throwing it around like some meat-head. If this 'Rich' chap is smart, he can tell that he's as good as out-numbered right now.
Not that it's going to come to that if Douglas can help it. It's not really his style to go throwing punches at greasy little bastards like Rich.
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He doesn't seem concerned at all by how much the move emphasizes the disparity in size between them. He also doesn't seem amused anymore; that vanished the second he moved.
"If you're very lucky, darling," he says, "you'll never know who I am. This is me giving you an out. I suggest you take it."
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"Or what?"
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"Or you'll find out."
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"Anyway, I really must be going now."
He doesn't bother with a goodbye, and on his way out, he passes Martin. After a brief argument about emptying pockets (which Martin somehow manages to win), Douglas gets into his car and drives off.
(Martin, to his credit, actually manages to resist picking up a rock at throwing it at the car as it drives away.)
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