Jim [redacted] (
searchingfordistraction) wrote2012-04-10 06:04 pm
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visits
Jim's never brought a guest back from Milliways before. It hasn't seemed worth bothering with.
But he has visited Matilda's home several times, and traditionally speaking it is only polite to return the favor.
More importantly, she asked, and the reasons to say no were far outweighed by the reasons to say yes.
But he has visited Matilda's home several times, and traditionally speaking it is only polite to return the favor.
More importantly, she asked, and the reasons to say no were far outweighed by the reasons to say yes.
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"My friends do that too, sometimes, but I try to stay on their level so they don't have to."
There is plenty of fun to be had there. Newts, for example, are totally comprehensible to your average six-year-old.
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"That," he says, "is because you have manners."
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Much to Moran's inexpressible relief, Jim chooses this moment to stroll into the kitchen.
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He doesn't smirk openly, because Matilda is there, but he does take the opportunity to give Seb a decidedly smirklike look over the rim of his mug.
Seb ignores him. Badly. Jim grins.
"Glad to hear you're getting along," he says, all innocence.
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She's pretty sure the answer is yes, but she'd rather check before she starts making things float.
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Jim takes the teabag out of his mug and drops it into the one Seb intended for himself. It's getting in the way.
"Go ahead." She's safe to use it in front of Seb as much as she likes.
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"Is that what it is, then?" he asks, curious. As opposed to some kind of science, he means, but another thing he's used to is not having to finish his thoughts when he's talking to geniuses.
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Jim disappearing into Milliways is bad enough, but at least they have security staff equipped to deal with even its most powerful patrons. Someone is going to be getting an earful about appropriate security procedure and how fucking off to alternate realities does not qualify later on.
It won't change a thing, but it'll make Moran feel better.
"No," he says, "he didn't mention that."
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The fireballs are kind of a theme here.
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By his standards - namely, no one whose preservation he was concerned about was harmed - it was indeed perfectly safe.
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"Glad it worked out all right, then," he says evenly.
Fucking fireballs.
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Using magic is just so much more convenient.
"Me too," she says solemnly. "I would've been really upset if anything bad had happened to Jenny. Or Jim."
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He's not usually easy to distract, but he is only human, and this is a bit different from watching it happen in a movie.
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(Next to him, Jim has gone very still.)
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(He should be paying more attention to Jim, but he's slightly preoccupied at the moment.)
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If he hadn't spent time looking for it before - sessions of concentration deep enough to be meditation of a sort, building on his previous efforts with Matilda - he might have missed it now.
Or he might not have.
"Did you feel that?" he asks, after a long silent moment.
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(It isn't quite true that Jim is the only one who can break into this flat. He's just the only one who ever does. Usually.)
Irene Adler is drawing a breath to say hello as she enters the room, but she pauses instantly as she picks up on the atmosphere. Something is going on.
She cocks her head and stays silent, waiting to see what it is.
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Her hair is up in her preferred style, sleek and neatly-formed and assisted by several discreetly placed bobby pins.
A tendril of it loosens and falls as one of the pins slips out, then floats serenely across the room into Jim's waiting hand.
"That," he says.
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Her tea darts out of the way so she can hug him in celebration.
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"It's been just out of reach since we rescued Jenny. I was hoping a visit from you might tip it over the edge."
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Turning to Irene at last: "Hi! You're Irene, right? I'm Matilda."
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