"My friend with the unfortunate taste in ringtones has a Victorian counterpart who's found herself in a tight spot," Jim says. "Going as a woman instead of a man is less likely to get us both shot."
He looks around, of course. You couldn't pay him not to. But, to be honest, his mind is rather more occupied with envisioning Jim in a dress than with analyzing his surroundings.
It's fairly basic, as Milliways rooms go. Almost everything, including the carpet and the walls, has been replaced recently. There's a safe whose components are neither contemporary to Jim and Sherlock's respective times nor human-made; there aren't many people in existence who could break into it, and as far as Jim has been able to determine, none of them come to Milliways.
The dress in question, with the accompanying chemise, is hanging on a rack next to a full-length mirror. The corset and the most likely options for filling it out properly are on a nearby table.
Envisioning Jim in that dress is an arresting experience. But after a self-indulgent few seconds he looks over the selection and then turns to Jim to determine how to proceed.
He snorts, picks it up, and hands it over. This being Jim and all, he hasn't been bothering to fuss with his temperature since they started up the stairs; his hands are cold.
It's already laced, loosely enough to slide on over Jim's head. He had it altered a bit after the initial fitting, adding a layer of material to the top that will help hold the false breasts in place over the chemise while remaining unnoticeable once the dress is on. If anyone has got close enough to realize something isn't quite right about them, chances are it won't be his biggest concern at the moment anyway.
"Just tight enough so it won't fall off for the moment," he says.
The process of choosing the right material for filling out the corset is likewise not as difficult as Jim may have implied it would be earlier. In some ways, it's actually easier than it is at home, since he needn't worry about making them look as realistic as he would in only, say, a bra and a cocktail dress. Between the corset and the heavier fabric of this dress, texture is not much of an issue.
It doesn't take long for Jim to find exactly what he wants.
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"I thought you might be."
He deposits his largely-untouched drink onto the Bar and heads toward the stairs without another word.
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"Is there a reason for this?" he inquires on the way. "Not that I'm complaining, mind you." Far from it.
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He'd hate to get any version of Irene Adler shot.
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Helping Irene is never about fun. Even if it sometimes ends up being fun anyway.
(And he thinks this will.)
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(He's yet to meet anyone who inspires in him that kind of protective regard.)
"Or perhaps that's just my opinion of you in a corset."
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Why else does Sherlock think Jim chose him to help?
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This time, apparently, Sherlock has earned the right to enter Jim's room.
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The dress in question, with the accompanying chemise, is hanging on a rack next to a full-length mirror. The corset and the most likely options for filling it out properly are on a nearby table.
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Then he slips into the chemise, saying,
"I assume you can work out the corset as we go."
It isn't an overly complicated process by their standards.
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"Just tight enough so it won't fall off for the moment," he says.
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It is not, indeed, an overly complicated process.
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It doesn't take long for Jim to find exactly what he wants.
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"You look gorgeous," he observes, running his fingers through Jim's hair. "Going to check if it holds up under the dress?"
This may or may not be—or, all right, is completely transparently—an excuse to get Jim into said dress where Sherlock can see him.
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Tucking is not necessary with the way the dress is cut and layered, but getting an erection could still pose a problem.
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"Hardly ruined for my purposes. Though probably for yours," he concedes.
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"Later, darling. Now lace me up properly so I can get into the dress."
No doubt Sherlock can eyeball the necessary measurements.
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